At a birthday party for a four year-old, a four year-old gave me a privileged glimpse into the human psyche. I’d played with the kids for a while. They thought I was merely acting the part of the monster, but the role felt pretty natural to me, for what that’s worth. Then I took a break and sat with a couple of the older folks to talk. Another adult had taken my place as the monster, and kids were dashing all over the joint in delighted fright. Laura, a well-spoken four year-old, grabbed me by the shirt and screamed, “Come on! Get scared with us!” I’ve been keenly interested in Boogiefolk ever since.
All of those children are home
Boogieboys, Boogiegirls
safe, snug and warm
Nursery rhymes, story time
If they’ve been good
Papa says, “Rest your head,”
turns to the page
where the monsters appear
Monsters who look just like you
we scare the Boogiefolk too
But they love to dance on the air
and hug Boogiebear
and bother their sisters and brothers
and they love vanilla ice cream
and to fly in their dreams
and all of those things that go
“boo”
All of those children are sweet
Boogieboys, Boogiegirls
toes on their feet
Boogieman kisses them
(loves how they smell)
tickling, giggling
counts one-by-one
til his counting is done
Boogietoes make twenty-two
just like on me and on you
Still they love to walk Boogiedog
and slop Boogiehog
and feed Boogiecat Boogiemouses
and they love to eat Boogiebeans
and all Boogiegreens
and they love those things that go
“boo.”
The inspiration for this song might have come from my surroundings. I was staying in an unheated motel room adjacent to the bar where I was performing in Fredericksburg, Virginia, so refrigeration must have been on my mind. I can’t say why I might have been thinking about chickens. But I’d given them some thought, which is more than they’ll do for themselves.
As a teacher, I once attended a seminar on the use of humor in the classroom. At the beginning, the instructor handed out index cards and asked that each of us jot down a topic we think is inherently funny. I wrote “poultry.” When he read it to the class, everyone looked puzzled, and no one even smiled. I knew I was in for a long afternoon. Right there, I knew exactly what is wrong with our whole educational system.
I think this rendition was recorded at the Washington Folk Festival; I could tell for sure if I could bring myself to listen to it. This is the kind of song that people tend to remember you for, sad to say. Please, don’t bring it up at my funeral.
The instrument you hear is most often called a “”Jew’s harp,” but it goes by a good many other names–jaw harp, juice harp, la guiambarde. . . . I’m told that the best ones come from Afghanistan, but I don’t know what they call it there. On every continent, from antiquity, people created instruments identical or very similar to the one you hear. What’s that tell you about humankind? Did you know that, in Borneo, if you play the Jew ’s harp outside your sweetie’s window, she’ll consider it a marriage proposal? The folks in Borneo think we’re wackier than they are. So do I.
Chicken in the Fridge, isn’t she a darlin
when you’re just about starvin in the middle of the night
you go trippin down the stairs and you’re gropin just to find it
and you open up the door, and you’re just about blinded by the light
Hang on tight, you’ll be squintin for a minute
but if you bear and grin it you’ll be sittin pretty good
when your eyes get adjustered to the glow and the luster
of the luminous foil all about that bird
Chicken in the fridge, this is what she sounds like
whatever something sounds like, that’s the way it is
Baby want a breast, papa want a thigh bone
little sis a’pickin at the chicken in the fridge
When I was seventeen, I got me pretty lonely
for a one and a only, hell, you know how it is
She laughed at my money but she called me honey
when I whispered to her softly, “I got chicken in the fridge.”
Ch.
I’m the kind of fella, I don’t like to go to meetin
I’d rather be eatin on my chicken so fine
and they don’t even give you butter when the serve the Lord’s Supper
just a old sodee cracker and a half a sip of wine
Ch.
Come reckonin day, I don’t care what they say
gonna stand before my Hostess at the tollin of the bell
I’ll say, “Hang on, Hanna, you can hold your manna
you ain’t got chicken? I’ll try ’em down in hell.”
Live and learn, my children
live and learn, and pay the fee
Live and learn, my children,
don’t you let me catch you listening to me
For every question that there ever can be
I’ll answer honest as I know,
you want to know who glued the leaves to the trees,
I believe it was the woman next door
Live and learn, my children
live and learn, and pay the fee
Live and learn, my children,
don’t you let me catch you listening to me
Now you ask about the wind and the rain
why they’ve been fighting all these years
The wind was supposed to blow your troubles away
but the rain didn’t like that idea
Ch.
What does the turtle keep in her shiny shell?
What does she carry up in there?
I’ll whisper if you promise never to tell,
just a toothbrush and some clean underwear.
Ch.
Now I’ve told you everything that I know,
and I’m a hundred ninety-two;
there’s just one question that keeps troubling me so,
Could I love you any more than I do?
I will say, though, that I might have been thinking about one time I went to the Baltimore Museum of Art. Intent on living life to the fullest, I hit the museum a few hours before an Orioles game, back when the O’s played at Memorial Stadium, which was nearby. On toward game time, I’d come to a Corot landscape–a simple country lane vanishing in the distance, bordered by fields and trees. I’d been staring at it for a good while when that little voice in the back of your head that says, “Hey. You have somewhere to go, Bud,” said those very words to me. Still staring at the picture, I took a step. A step forward. Into the braided rope that keeps you from getting too close to the masterpieces. It wasn’t until I felt the rope on my waist that I came to and realized that, as far as the best part of me was concerned, I’d been in the picture, not in a museum. I’ve always wanted to be able to tell Corot about that, but I settled for telling the lady in the gift shop. She was delighted by the story and didn’t think me at all crazy, which was a great relief. I could enjoy the game after that. Thinking you might be crazy is far worse than knowing you are.
Only time will tell
Lie down, there’s a silver moon
I know you want to know so much, so soon,
but only time will tell
Morning, when the sky’s aglow
tonight might be a tale from long ago
only time will tell.
Ch.
Only time gonna tell
Only time gonna tell it all
Gonna tell it all
Slide the bookmark by your bed
halfway through the pages, rest your head
time will tell
The mean old man in chapter three
just might save the princess, we will see
Only time will tell
Ch.
There’s flowers by the dusty road,
even if you never crack the code
time will tell
But if you wait beside the lane
the black horse with the silver mane might come
only time will tell
I lost all faith in humanity when a guy told me he thought this the best song he’d ever heard. I wanted to ask him how long he’d been in prison, but I also like to think I’m gracious. It was then that I prayed never to have an adoring public. Not that I had much to fear, as this song demonstrates.
Children do you remember the snow of ’83?
It snowed all night, snowed all day
snowed most mercilessly
Children do you remember the snow of ’83?
I know that I will not forget
until it’s snowing over me
Started out one Thursday night
about bewitching time
Started with those itty bitty flakes
so dainty and so fine
Snowed along until the dawn
the sky never did turn blue
Snowed till afternoon
Snowed til half past two
We sat down round dinnertime
the snow was not half through
Children do you remember the snow of ’83?
It snowed all night, snowed all day
snowed most mercilessly
Children do you remember the snow of ’83?
I know that I will not forget
until it’s snowing over me
We were out of everything
except a can of beans
Daddy said that’ll have to do
until we can dig free
For breakfast we had scrambled beans
for lunch, pork and beans
For dinner we had beans
and for all those meals in-betweens
The wind that whispered through our jeans
didn’t say nothin’ but beans
Ch.
Among my favorite stories about kids comes from Freeman Dyson–y’know, the Nobel physicist. The first time his five year-old step-daughter saw him without clothes, she asked, “Why do you look like that?” “That’s the way God made me,” was his reply. “Did God really make you that way?” she urged. “Yes,” he said. “Couldn’t he make you better?” was her follow-up question.
Tell me what you’re crying about
daddy’s little girl
Your daddy used to cry like that himself
You want to know the very worst
of your troubles in the world?
Someday, your troubles
gonna be all over
You wave your little fists around
and kick your little legs
You cry out like there’s been
some kind of crime
Well, go ahead, kick like that,
have yourself a time
because someday, your troubles
gonna be all over
Someday, your troubles
gonna be all over
someday, your laughter
left behind
There’s just a couple times
you’re sure there’s
goodness in the world
and then your troubles
are all over